Studio progress report...

We decided to expand our plan of worldwide domination last year by opening a bigger studio. The main reason is CASH! I WANT LOTS AND LOTS OF IT! NOW!
Seriously though, there were many reasons  why we decided to move. The studio as it is is only big enough for one person really (so big thanks here to those who have endured guest spots) There is only so much work that one pair of hands can do, and I've just gotten bored of working by myself. I miss the craic!
So anyway, after negotiating the lease, arranging everything with the solicitor/estate agent/landlord (who have all been excellent) and finally paying off the Council for their exalted privilege of doing very little for a lot of money, Sylv hired some recommended tradesmen, and work began.
Here's the story so far.....

This is the front part of the workroom looking out towards the studio waiting area. So that's half the shop front area taken up.

That's the main workroom, and a wheelbarrow, and Sylv.

The partitioning for the toilet (natch) The reason it's so big is for disabled access. It was two toilets, but it's just going to be one big one. I'm thinking of leaving it like this, and planting some tomatoes at the bottom of the trellis. Be handy when you get hungry while on the bog, just reach out, and a tasty snack is yours.

This is known as the reverse Tardis, but will eventually become the cleaning room. Boy, the fun never stops eh? Can you take much more?

Finally, this will be the office and staff area, away from the public. This has all been cleared now, so pretty soon, we'll be ready to start the decorating.
I should say that pretty much all of this has been arranged by Sylveline, because she's awesome (those of you that have already me her know this though, right?). I realise how absolutely screwed I'd be without her mad skills. My role hasn't been anything more than keeping the ink flowing in the old place, but once the decorating happens, that's my chance to feel useful!
We're looking to open in mid May, all being well. Stay tuned for further developments!!

Year Zero.

Well, why do this, I ask myself.
Various reasons.  I needed somewhere to put down what actually goes on behind the scenes at Octopus Tattoo,(www.gerrycarnelly.co.uk) where I labour to produce some good quality tattoos, and generally get on everyone's wick, and some of the rubbish that comes out of my head, so it's sort of a brightly coloured rubbish dump! Doesn't smell as much though.....
 There'll be a lot of tattooing and art on display, and I'll also be documenting The Third Mind Collective's monthly sessions, which is an art collective that I put together five months ago. Also, I listen to a lot of music of the non-manstream variety, and watch a ton of movies, so there's going to be a fair bit of that as well.
If you feel like sifting through the detritus, like the poor sods in Brazil who live in the dump itself, then be warned, you may not like some of what you read.  But you can feel free to sling retorts like sharpened stalactites and destroy my ever -expanding ego before it takes over THE WORLD!!!!!
Just before I go any further, I'd like to say that I REALLY don't like the idea of ripping people's custom tattoo designs off the internet, so be smart, and try to find your own ideas elsewhere. I accept it can't be stopped, which sucks but is a truth, but please try to focus on INSPIRATION, NOT IMITATION!!

IAN'S TATTOO
Ian's the Dad of a customer of mine who I did a mexican sugar skull on a wee while ago. Here it is...

I liked doing this one, the style was a departure from my usual, which is a lot more three dimensional, I fancied stripping it down and doing something more graphic. I like the eyes, it has a crafty expression because of the central spirals, which was accidental, but once I noticed it, I liked it and left it in.
I also liked the little guys coming out of the nose, they remind me of Willo The Wisp, which was an early 80's animated kid's show about a talking cloud of marsh gas, more of a fart with Kenneth William's face on it really. The bad guy was an evil TV set with a really pissed off face on it called Evil Edna. It was quite bizarre. Here's a link...
http://youtu.be/sAwtC0b_gf4

Ian wanted something along the same lines as an Uncle Allan piece he'd seen in a magazine, which was an awesome tattoo of a hand holding an all seeing eye pyramid, which was radiating light. The wrist ended in a traditional style rose. Beautiful piece of work. I had a lot to live up to.
But it was just my kind of thing, and Ian was cool about letting me put my own touch to it. He also wanted a snake in there, which was a double bonus, as I love doing snake tattoos, even though drawing them drives me nuts to this day! They never seem to have that power that someone like Grime gets with his. By the way, Grime's going to get mentioned a fair few times as we go on, as he is undeniably THE SHIT as far as I'm concerned. Don't want to do his thing, but he is a big influence on me at the moment.

So I started scribbling, we'd already decided not to have the all-seeing eye, as that would make it too close to the Uncle Allan tattoo, so I went for the simpler option of just putting an eye in the palm. Ian had wanted an Eastern feel to it also, so I opted for Tibetan style flames. I put the snake winding around the wrist, but it just didn't seem "alive" enough, and I felt it could be more dynamic. Here's the first draft....

So after a while, I came up with the idea of making the snake head larger, so I could have it's mouth open at the base of the wrist, to make it look as if it was attempting to swallow the wrist. the flames would be emanating from the tongue, which would be flowing up towards the eye, to bring the viewer's attention to the centre. The eye is a powerful image, so bringing everything to bear on that area, I thought it would add to the impact.

Then another idea involving the snake came to me.  I'd wanted to do it in a tradtional sort of style, heavy black and solid areas of colour which would contrast with the three dimensional hand. So I was thinking about patterns to put on the back of the snake, and in keeping with the "eye" theme, put some eye markings along the length of the snake, and also made it blind, with a milky blue eye. I was starting to get really excited about doing it now, and it was difficult to keep the design simple, as so many options and ideas started occurring to me.
It's something I've learnt over the years, that restraint is very important. It's as much what you leave out as what you put in, to keep the picture balanced and readable.
So once everything was pepared, and the stencil had been applied, time to get down to work....

And after 6 hours, I made the final wipe down, and uttered the words every tattoo customer longs to hear.....
"Right, we're done...would you like to have a look in the mirror?"
Here's what he ended up with.....

He was made up, and I felt like I'd done a proper smart tattoo to put on my website. The best thing was a couple of days later, I got an answerphone message from Ian saying how pleased he was with his new piece, which let me know that I'd done a good job, and earned another happy client! BONUS!!